He had hired a guy named John Preston to direct the film, and John was more like an industrial or commercial filmmaker. I think it was Rick's first and probably only film. My buddy and I were dragging desktop computers to the set and trying to do green-screen compositing on the fly. We're talking about trying to create cinema effects on a Pentium 90 with a two-gig hard drive. CGI was just starting to become mainstream, and we were experimenting with how to get the most out of the very minimal budget we had. It was a really low-budget project for us, but at the time-this was the early 2000s, and I came from a background of doing physical effects-my best friend was just getting into doing computer effects, so we were experimenting with merging CGI with practical effects. VICE: What was it like working on Seance?īob Wasson: I guess overall it was fun. Related: Watch our documentary about remaking Indiana Jones shot-for-shot. There were more special effect shots than we could count-definitely more than there would typically be in a $1 million movie-so we reached out to visual effects supervisor Bob Wasson of VFXLab to find out what it was like to work on the set of Seance. Everything was apparently a vision they had during the initial seance. If you don't have time to watch the whole thing, here's what it's like:įinally, once everything calms down, we see that all of our heroes are alive again, and it's the night of the party that started this all. Regardless of the film's shaky production and distribution history, it's an undeniably strange cultural artifact. (The 2011 post claimed there would be a 2011 or 2012 DVD release through Amazon, but that doesn't seem to have happened either.) Vasquez didn't think the film was "terrible," according to user camink_inc, he pushed for a theatrical release that never happened, then a video-on-demand release via an "upstart internet horror network TBA," which also never happened. And he never made a dime on the film!Ī user on the Seance message board on IMDB who seems bizarrely knowledgeable about the film had an alternate explanation for the movie's non-release in a 2011 post. Other traffic control companies (including, most notably, one owned by Rick's cousins) stole all his clients while he was away. Unfortunately, his business went under while he was making this film. You wouldn't know it by looking at him but apparently he was once very rich and well connected. The million dollars came entirely from his own pocket. Rick had a very successful Traffic Control business here in LA. According to griffinilla, there's a sad story behind the movie: Another Reddior, named griffinilla, claims to work with Vasquez and wrote in the comment thread he's the one who finally convinced Vasquez to let him chop the movie into ten parts and upload it to YouTube.
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